I opted for a tan color called Marrakechin the Montana 94 can line for the final layer. Final layer of stencils!Īs these stencils are much larger, have them occupy both open space and intersect previous stencils. ![]() You’re now going to move on to some of the larger, more complex shapes in your stencil pack. Add Final Stencils and Final Layer of Tan Paint Mine was a sort of sandy khaki greenish color that I had a hell of a time finding in an aerosol.Įventually, I settled on Model Masters Strategic Air Command Tan that Is prayed over the entirety of the gun. Make sure you’re using more of those small, splotchy circles in the pattern for this layer, as well as overlaying at least some of the dark brown stencils over our last layer’s stencils.įrom there, you’re good to move on to the next layer of paint. While some areas are to be left void, get comfortable with making these stencils a little bit more claustrophobic. To me, the darkest layer of brown in MultiCam Arid looks like it generally occupies more space on the gun than the white top layer. Grab the more medium-sized stencils from the same sheet as your sandy white layer and begin laying them down on the gun in a similar manner…with a few key differences, though. ![]() Apply Another Layer of Stencils & Add Greenish Paint Spray the whole gun, avoid any buildup or overspray if possible.Īnd then grab those stencils because it’s stencil time once more. This allows us to begin applying the other colors but preserve the white-ish pattern underneath. Apply the darkest coat over the stencils. If this is your first-time using stencils, like it was mine, it might be hard to wrap your head around the concept.īut we’re applying the darker paint over the stencils to protect the white sand layer in the stenciled spots. I used Testor’s Model Masters Light Earth Aerosol for this layer to give it a nice, darker brown color. Enough for 2-4 firearms.Next, we’re going to move to our darkest coat. Unique Can-within-a-Can technology provides the Hardener right inside of the can.
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