Heretic was a dark fantasy shooter that combined medieval-style weapons and gothic-style enemies with Doom-like level design, and as someone who liked his Dungeons & Dragons, that was an appealing mix indeed. My favourite of all (well, aside from Magic Carpet if you count that as a FPS) was Heretic. Uranos's comment about "doing something" or not might be more than just his way of belittling Thanos it might be a prediction of what he does next.Įternals: The Heretic #1 is on sale on comic shop shelves and digitally March 16th.ĭid you know that Marvel’s Thanos and DC’s Darkseid actually fought once ? To find out who won, check out Newsarama’s look back at their encounter.Everyone thinks I hate FPSers, but actually back in the days of DOOM (original) and Wolfenstein (original), I loved me some shooter action. Eternals: The Heretic proves that there is plenty more exploring to be done with the character and that the evil within him truly knows no bounds. It's easy to believe that a character as popular as Thanos has already been fully explored, especially if you know him from his era-defining role in the Marvel Cinematic Universe. There's a lot of lore that The Heretic is working with, and without Cowles's lettering, a reader might get lost. The Machine also provides several pages of purely textual explainers, giving us important backstory and family info. Cowles creates the dialogue of the "Machine," the AI within Earth's structure that the Eternals must protect and that narrates our story. It might not satisfy fans looking for something new, but it fits perfectly with the rest of the series.Īnd speaking of cohesion, it is veteran letterer Clayton Cowles who keeps the story of Eternals: The Heretic together. Other character designs stick pretty close to what Esad Ribic has done with the Eternals cast, but that's not a bad thing. He wears a minimalized version of Jack Kirby's famous Eternals armor, walking a satisfying line between medieval warlord and alien entity.Įternals: The Heretic #1 (Image credit: Marvel Comics) (opens in new tab) Uranos sports an alien scar on the right side of his face, more cracked stone than torn skin. Just like Gillen's dialogue tells us who the character of Uranos is from the moment we meet him, so does his appearance. And we can tell that because of the design from artists Ryan Bodenheim and Edgar Salazar. That is, just because Thanos and Uranos both have plans for destruction does not mean they're on the same side. Assigning these colors to the two different big bads of this story not only increases its apocalyptic tension but also tells the reader something important. Thanos, on the other hand, is constantly surrounded by deepening blues, like the last bits of twilight before full dark. Uranos's history is told in bleak grays and desert tans, like the color of a post-nuclear war sky. There's a palpable sense of dread that courses through this book, or rather, two senses of dread, split between the different characters. With Thanos as Prime Eternal, that threat is magnified, and that becomes clear to the reader through the work that colorist Chris O'Halloran has done for the comic book. We're not going to spoil what that was or how Thanos takes in the information, but we will say that it makes for a challenge, and forges a relationship that Thanos has never experienced before.Īs with any Thanos story, there's going to be some emphasis on a new and terrible doom that's headed for the Marvel Universe. Do something or don't." From then on we learn what Uranos did to get him locked away by the Eternals, which has been hinted at but not explained throughout Gillen/Ribic's run. "You killed half the universe, boy," he says upon meeting Thanos, "What a lack of commitment.
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